“Afro Dancehall” Name Originated from Myself and Samini, Not Stonebwoy

“Afro Dancehall” Name Originated from Myself and Samini, Not Stonebwoy – Black Mexxiah

Originator or Influencer? Black Mexxiah Challenges Stonebwoy’s ‘Afro Dancehall’ Claim

Reggae and Dancehall veteran, Black Mexxiah, has made a surprising revelation about the origin of the term “Afro Dancehall.” In an interview with renowned broadcaster SammyFlex on Sammyflex TV, Black Mexxiah clarified that the name actually originated from himself and Samini, not Stonebwoy as widely believed.

Black Mexxiah explained that he had been incorporating the Afro Reggae and Dancehall sound into his music even before Samini came into the picture at “Asaase Ase Records.” He recalled how Samini was initially unsure about how to categorize the sound. Black Mexxiah then suggested the name “Afro Dancehall,” emphasizing that it was a fusion of Afrobeats and Dancehall elements.

According to Black Mexxiah, Samini started using the term long before Stonebwoy joined his Highgrade Family record label and became influenced by the style. This revelation has sparked online controversies, as Stonebwoy has also claimed in other interviews to be the originator of “Afro Dancehall,” attributing his inspiration to the legendary Shabaranks and others.

Black Mexxiah further stated that Stonebwoy was influenced by one of his Afro Reggae Dancehall releases titled “Gblegble vi,” dating back to 1999. The veteran artist’s statement sheds light on the evolution of the Afro Dancehall genre and challenges the commonly held belief that Stonebwoy was the sole originator of the term.

This revelation adds an intriguing layer to the history of Afro Dancehall, highlighting the contributions of Black Mexxiah and Samini in shaping the genre. It underscores the importance of acknowledging the pioneers and influences behind musical movements and encourages a deeper understanding of the genre’s development.

As discussions and debates surrounding the true origin of Afro Dancehall continue, it serves as a reminder that music genres often evolve through the contributions of multiple artists and creative minds. The fusion of Afrobeats and Dancehall elements in Afro Dancehall has undoubtedly gained popularity and captivated audiences worldwide, with Stonebwoy being a prominent figure in the genre.

The revelations made by Black Mexxiah in his interview shed light on the creative process and collaborative nature of music. While Stonebwoy’s impact on Afro Dancehall cannot be denied, it is important to acknowledge the collective efforts and influences that have shaped the genre into what it is today.

As the discussions unfold and perspectives are shared, it becomes evident that the story of Afro Dancehall is multifaceted, with various artists playing significant roles in its development. The genre’s growth and continued evolution are testament to the rich and diverse musical landscape of Ghana and the broader African music scene.

As fans and music enthusiasts delve deeper into the origins of Afro Dancehall, it is a reminder of the interconnectedness of artists and the ways in which they inspire and influence one another. Black Mexxiah’s revelations provide an opportunity to celebrate the collective creativity and contributions that have made Afro Dancehall a vibrant and dynamic genre in contemporary African music.